Monday, December 06, 2010

Flick:Rob Roy



Released the same year as Braveheart, Rob Roy is in many ways the anthithesis to Mel Gibson's rousing epic.

Rob Roy's issues are personal, William Wallace's public. The former fights to avenge his honour, whereas the latter takes up arms for his land.

Clarion calls of "FREEDOM" have no import in Rob Roy, whose titular Highlander's (Liam Neeson, Jedi Knight in a kilt) most pressing need is the housing, clothing and feeding of his family and clansmen.

It's the early 1700's and the kingdoms of England and Scotland have both been unified, although that hardly lessens the traditional disdain that dandy Englishmen like the Marquis of Montrose (John Hurt) bear for their Celtic cousins along with a deep seated suspicion that the Highlands are scattered with Jacobites (sympathisers of the deposed Stuart monarch James II).

When Rob asks for a thousand pound loan to herd and sell cattle to raise cash from Montrose, his scheming nephew Archie Cunningham and aide Killearm (Tim Roth and Brain Cox, both of whom chew and steal their scenes with effortless ease) steal the money by killing and framing Rob's best friend, Andy McDonald (a miscast but mercifully brief Eric Stoltz) for the theft.

When Rob refuses to denounce the Duke of Argyll as a Jacobite on Montrosse's request in exchange for cancelling the debt, the stage is set, like all movies featuring a Scottish hero, for an unleashing of English brutality with all the traditional boxes of large scale slaughter, house burning and female violations dutifully checked. Bloody reprisals on the way to a climactic showdown between Rob and Archie follow.

If it lacks the expansive sweep of Braveheart, Rob Roy more than compensates with a central relationship, that of Rob and his strong wife Mary, that's genuinely moving and engaging. See in this yet another counterpoint to Braveheart, where women (both living and dead) merely function as catalysts for a call to arms and visions of sanity to cling onto in the midst of torture.

Rob Roy is in many ways, the anti-epic. The panoramic vistas and battles are accounted for, but it's struggles are deeply personal and above all, it's a charming love story between a man and his wife.

Terrific performances, sharp dialogues and a memorable villain make Rob Roy a winner.