Tuesday, August 17, 2010

The Expendables























Any objectivity I would have had watching The Expendables was obliterated years ago, thanks to a wasted adolescence devouring practically the entire Stallone/Schwarzenegger/Van Damme/Seagal/Norris ouevre of undiluted carnage.

They were simple (ok, often stupid) but they served you their action straight up, unencumbered by pseudo-philosophical ruminations or the need to piggy back on popular comic-book mythologies. It was a time when the idea of Keanu Reeves or Matt Damon kicking ass and taking names (or for that matter James Bond moping for 2 movies over some chick who fucked him over) most likely existed as a stupid joke in my wasted brain.

The Expendables is a glorious throwback to that era and that's probably the only way you're ever going to derive any sort of enjoyment from it.

Needless to say, it effortlessly located my viewing G-Spot and I probably watched it with a stupid grin plastered on my face throughout it's running time.

It, quite naturally fell victim to it's own All Star line-up. There simply wasn't enough time to showcase everyone, but Stallone deserves a solid 'A' for effort. He wisely gives Statham ample screen time (he's the only one in the group with a career trajectory currently pointing north), and gives everyone their 2 minutes under the spotlight thanks to action scenes that exist for no other reason than to have these titans go at it, WWF style (Li Vs. Lundgren! Austin Vs. Stallone!Austin Vs. Couture!).

I wish Sly had eased up on the Mike Bay-style edits thoughs would have loved the fights to linger on my visual cortex for more than 1/2 a second, located somewhere in the movie's numerous fights is a Statham-Li tag team move that I'll have to wait for the DVD to fully enjoy.

And is it just me who thinks Mickey Rourke just ambled over from the Iron Man 2 set to this one?

The one scene that surprisingly didn't work for me (most likely on account of it being built up way too much) was the cameo featuring Planet Hollywood's major shareholders. It all seemed too forced, with Arnie at his absolute smirking worst.


It's cavalier treatment of women is de rigueur for movies like this and I doubt if the writers know or even care about the irony (it's probably too stupid to) of a script that posits a woman as the salvation point for these jaded warriors while also subjecting her to the film's nastiest torture sequence not to mention having Statham's character excoriate his girl for taking up with a loser while he exercises his right to disappear for long stretches of time without telling her.

God, I love the '80s!